Faris finds a smith after some searching. She finds a smithing shop on a street corner.
(No shield)
āDO. SOMETHING.ā
Trying not to be hit by an angry man with a sword was way more necessary than engaging in discussion.
The guard slices at you in a bloodlust.
Marian grabs the knife she dropped and aims it towards the guards head.
The guardās blade forms a large gash across Nicholasā chest. Not enough to seriously debilitate but he will be severely weakened.
Marian notices that she might have a clear shot at throwing the knife at him with enough accuracy. She throws it aiming for the head.
āRight. Not happening.ā
Andar goes out of the window. He had picked the room due to itās close proximity to the stableās roof, which gives him easy access out in case someone chases him like this. Time to make use of the escape route.
He nimbly jumps to the stable roof.
@discobot roll 1d20
20
The knife sinks into his skull with a shriek, but he keeps going.
Marian grabs a nearby chair and throws it towards him to hurt the guard or slow him down.
The demon ignores the pain and try to maintain equilibrium by holding at the chair, putting the sword up the guardās maw.
What the- How did- You know what Iāve seen weirder
I suppose you want me to enter the house, then?
Lillian peers through a window to see if she can spot anytihng inside.
In the flash of an eye, Andar is on the roof. The man in mail can only scratch his head in confusion.
āHe was there andā¦what?ā
Andar is now completely safe from the man. He definitely canāt understand what just happened.
āDid he just fucking jump out? That wasnāt expected.ā
He slinks out of the bar in disappointment.
She enters the smithing shop.
āHoi there!ā
And she begins to look around.
Lillian looks inside, seeing a woman drinking from a cup. Itās presumably tea but you arenāt sure.
āWhy donāt you come on inside?ā She gestures to you, inviting you inside.
Your combined assault leads the guard battered, broken, and bleeding.
With blood oozing from his mouth, he makes one last taunt before collapsing.
āThereāll be more, andānex-t t-ime wonātābe so easy. You scum willādie.ā
The smith replies with a smile on his face.
āWhatād ya like?ā
He looks at the corpse.
āThe book has told me not to burn this place. A shame, it would be a convenient way to get those corpses outā
Seeing he is not followed, Andar climbs down the roof. The stable is full of horses, but he canāt leave Adiart just yet. What he goes for instead is the travelling cloak hanging on one wall of the stable.
"Should stay in the safe house for a while, " he says to himself before heading to the slum.
Andarās mind turns and clanks as he walks. By his real identity, does that mean someone discovers who his mother was? The troublesome mother who took on his fatherās last name instead of using her maiden name as common sense goesā¦
The safe house, as the word safe implies, is a house for when Andarās usual haunt is not safe. He never visit it except for seven times over seven years, each time to store more money and to check the safety.
Andar enters his safe house.